![]() ![]() At a certain speed-which is different for everyone-our brains stop processing each note individually and think of them as a group of notes. That brings us to the next important point about picking: rhythm. ![]() You’ll get a feel for how much tension is appropriate. This is a trial-and-error process, so it’s important to be honest with yourself and reflect on what your hands are doing. Now, some tension is ok, but if your tone gets buzzy or you’re having trouble controlling the rhythm you should probably slow down and relax a bit more. It’s not important how you do it, just make sure not to create excessive tension. ![]() Paul Gilbert’s picking motion comes mostly from his wrist, while shredders like Vinnie Moore and Rusty Cooley derive their power from their elbow. Notice how other players pick from different parts of their arm.
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